John
Wiedmeyer
is a master
carpenter
who does
all of his
own work.
He does not
use subcontractors.
John
specializes
in the historical
rehabilitation
of the older
homes in the
Fox Valley
area, and has
carefully,
and precisely
restored some
of the most
well known
properties
to their original
glory using
only a small
2” X
2” picture,
and a homeowners
dream, or nothing
more than a
vague description,
and his own
vast knowledge
of historical “appropriateness”.
John has
spent 38 years
learning his
craft, studying
the architecture
around us,
and listening
intently to
those amongst
us whose memories
of these buildings
takes us back
to those grand
old times.
John
has great
respect for
the owners
of the historical
homes who ask
for our help,
because they
are the ones
who are doing
this community
the greatest
good. They
are doing all
they can possible
do to fix the “bones” of
their home,
not just spruce
it up cosmetically.
Workmanship:
• We seek to deliver good workmanship and shall conform to the
generally accepted definitions of "quality standards" including, but not
limited to, the following:
• The work shall be fabricated and installed square, level, plumb,
and straight.
• Historic properties are seldom square or level. We therefore will
use our experience to provide the best results possible in these cases.
• The work shall be scribed to adjoining surfaces with defined
minimum clearances.
• Exposed joints shall be executed, rigid, tight and flush with no
tool, machine or cross-sanding marks.
• Hardware shall be installed to the manufacturer's instructions and
properly fitted and adjusted to ensure correct operation.
• Wood surfaces and edges shall be smoothly sanded and free of
blemishes or cutting defects such as tool or machine marks, sanding marks,
surplus glue, or raised grain.
• Moldings shall be cleanly run, smoothly sanded, free of machine
marks, and with sharply defined detail.
• Fastenings shall be concealed wherever possible. Face nails and
trim screws shall be as few and as small as practicable, neatly countersunk
and filled with longevity and concealment in mind.
Grades of wood:
Architectural woodwork is used in fine quality projects throughout Elgin and
the surrounding areas. Limitless design possibilities, a variety of lumber,
species and materials are available in all three accepted industry grades.
The standard grades are as follows:
• Premium grade: the grade specified when the highest degree of
control over quality in the execution of design intent, providing the
highest level of quality materials, workmanship, and installation. Premium,
by contrast, is for the most visible and more important high-profile
projects. Craftsmanship is of high importance and materials are chosen for
long term durability and beauty.
• Custom grade: the grade specified for most high quality
architectural woodwork. This grade provides a well defined degree of control
over quality of materials, workmanship and installation. This is adequate
for most situations and is most often used in new construction.
• Economy Grade: the grade defining the minimum expectation of
quality, workmanship, materials and installation. Economy Grade should be
reserved for those areas that are not for public view, or long-term exterior
use.
• "Hairy" surfaces on moldings
• Exaggerated knife marks
It is acceptable to specify several different grades throughout the same
project.
Please note that unless otherwise specified all Quality Painting and
Carpentries contracts follow the Premium Grade standards as laid out by the
woodworkers industry.
PROFESSIONALS' AND ARTISANS' NEGLIGENCE
There is a common moral duty on those professionals, contractors and
craftsmen, when working on any project, to take reasonable skill and care to
achieve the task for which they have been hired. But what is reasonable? As
one textbook puts it, 'in practice, different professions enjoy varying
degrees of success. It is not surprising if a lawyer says that some of his
clients lose their cases, or if a doctor says that some of his patients do
not recover: but it is most surprising if an engineer says that some of the
bridges which he designs fall down, or if a pilot says that some of his
planes do not land well'. Thus, on the whole, it is not enough for those who
are engaged to carry out works to buildings, historic or otherwise to carry
out the work agreed, they must also do it properly.
However, there are limits to how far the courts will intervene. For one
thing, the duty owed by professionals and others is primarily to their
clients, and not to the building. Further, the duty is to take reasonable
care to complete their appointed task - whether that be preparing a design
for the alteration to a building, or carrying out the actual works to
implement that design - properly, in the light of the standards of those
operating in the same field. It follows that no one is under a legal duty to
carry out work better than all their rivals: a moment's thought will show
that that would be wholly unworkable since, by definition, at least half of
those operating in any field will be less competent and less inspired than
the average.
On the other hand, where a professional or craftsman holds himself or
herself out to be a specialist - either in historic buildings generally or
in relation to some particular aspect of conservation work (such as, say,
the restoration of historic fabrics, or the integration of modern computer
services into old buildings) - it is perfectly proper for clients to expect
a level of expertise greater than that of a general building professional.
But the same principle still applies; a historic paint expert is expected to
know more than a general decorator, but not more than other historic paint
specialists.
LIABILITY UNDER A CONTRACT
Most, if not all, work to historic buildings will be the subject of a
contract. This may be a simple oral agreement (such as 'Will you pop in to
have a look at the crack in my kitchen wall?') or a written contract and
specification comprising thick specification documents and numerous
drawings. Either way, breach of a term of the contract may lead to a
successful claim for damages. The matter was put thus by a judge:
If I employ a carpenter to supply and put up a good quality oak shelf for
me, the acceptance by him of that employment involves the assumption of a
number of contractual duties. He must supply wood of an adequate quality,
and it must be oak. He must fix the shelf. And he must carry out the
fashioning and fixing with the reasonable care and skill which I am entitled
to expect of a skilled craftsmen. If he fixes the brackets but fails to
supply the shelf, or if he supplies and fixes a shelf of unseasoned pine, my
complaint against him is not that he has failed to exercise reasonable care
in carrying out the work, but that he has failed to supply what was
contracted for.
The same applies to any task in the course of the building process - again,
whether by professionals or artisans. It is therefore important to specify
works carefully when entering into a contract. And if the building concerned
is a historic building, correspondingly greater care needs to be taken -
with the drafting of the contract as much as with the carrying out of the
actual works themselves. In particular, where a project involves opening up
an existing building, it is not always possible to predict with any accuracy
what will turn up. So the specification must take account of all (or at
least most) of the likely possibilities if it is to be of any use.
Do you think about your wood?
http://www.buildingconservation.com/articles/wood/wood.htm
We use absolutely
the best quality
old growth
woods from
our storehouse,
when appropriate,
and we get
first choice
on delivery
at several
lumber stores
to ensure our
customers the
straightest,
tightest grained,
knotless boards
available.
We are moving forward rapidly in the field of technically advanced wood
replacement for historical integration. Even to the trained eye, our work is
undetectable.
We
mill all of our
products ourselves,
everything is
custom made to fit
your home. We
can copy your molding,
replace
your rotted column,
totally
remake your sill,
match your
crown molding
exactly,
build you new wood
storm windows
(the kind
where the screens
and the
storms pop in and
out from
the inside, much
easier!),
build you a whole
new porch,
or just
lift your sagging
porch.
Replace your
cracked siding?
Sure!
Carve an old world flower on a porch column to match this picture (coming soon) - still
working on that one.
We prime
our boards
on all 6 sides,
to keep moisture
out. We use
stainless steel
nails so there
will be no
rust problems
in the future.
Our miters
are PERFECT,
so we do not
need to use
caulk to fill
the gaps, no
moisture problem
in the future
here, either.
The cedar
shingles all
falling apart,
time for new
ones and while
we are at it,
how about a
new more historically
accurate pattern
to those shingles?
We do not use
cheap shingles
from Menards
or Home Depot.
We buy only
top grade,
extra thick,
fine grain
shingles from
a warehouse
in Wisconsin
that specializes
in cedar shingles.
We
cut them to exact
size ourselves,
and then prime
all sides really
high up on the
board so there
is no chance
of moisture wicking
up ...anything
to help slow
the process of
deterioration.
Then, each shingle
is placed in
the perfectly
thought out pattern,
or the exactly
spaced row in
which it belongs.
Not only will
it look great,
it will hold
paint better
because of the
finer grain,
the better quality
primer, and the
quantity of surface
that has a moisture
barrier protecting
it. Our shingles
will last a lifetime ….
or two. |